I worked across VFX editorial, color and mastering to create a final product that complied with Disney+ technical standards: Together with the colorist, I designed a color pipeline that included automation for previews, VFX pulls and other intermediate files. In collaboration with a colleague, I conformed episodes from OCF for grading in a Baselight environment, I also created all VFX pulls and inserted finished shots into the timeline. I handled deliverable rendering and oversaw quality control with relevant personnel. To Cook a Bear was an HDR production, which is still a relatively new workflow in Finland. Luckily I was able to use my prior knowledge to sidestep a few pitfalls. Series // To Cook a Bear (Koka björn) // 2025 // Dir. Trygve Allister Diesen
Little Siberia
Combined role of Online & VFX editor, with responsibilities including conform for grade and VFX, color and mastering pipeline design and delivery to Netflix. I bridged color and VFX deparments, supervising technical aspects such as codecs and color space transformations, in addition to giving advice to HODs regarding best practices. I maintained all technical aspects of the grading and mastering projects in DaVinci Resolve. Finally, I coordinated delivery and quality control with the Netflix team. Little Siberia is actually the first Finnish Netflix film. Feature film // Little Siberia (Pikku Siperia) // 2025 // Dir. Dome Karukoski
Reykjavík Fusion
My responsibilities included online/mastering/VFX editorial. I conformed the project for grade in Resolve and ensured a solid pipeline all the way to mastering and delivery. I oversaw intermediate renders, handled VFX pulls and worked closely with the colorist, updating the Resolve timeline with edit changes and handling color tracing. I made many technical finishing touches, such as speed interpolation and image stabilization. Series // Reykjavík Fusion // 2025 // Dir. Gunnar Páll Ólafsson & Samúel Bjarki Pétursson
Dance Brothers
Online and HDR mastering editor, VFX artist, data wrangler. Proud to have been pioneering HDR tech in Finland back in 2022. Series // Dance Brothers // 2023 // Dir. Taito Kawata
Munkkivuori
Data wrangler, VFX artist and online editor for season 1. Series // Munkkivuori (Summer of Sorrow) // 2022 // Dir. Jani Volanen
Shadowland
Online editor and conform artist. Documentaries are the most spicy from a technical standpoint, because they're often shot with multiple different cameras and somehow we in post always find ways to make them look unified. Documentary film // Shadowland // 2024 // Dir. Otso Tiainen
Motion Graphics
Selected works
Max Payne remake – Motion graphics
I animated several graphics elements as well as made some 2D character animation. The remake isn't out yet, so I can't showcase the work at this time. Video game // Max Payne // Remedy Entertainment
Sekasin – Title animation
Title animated using After Effects. Series // Sekasin // Season 3 // 2021 // Dir. Teemu Nikki
Renki – Title animation
Title animated using Photoshop and After Effects. Series // Renki (The hired hand) // 2023 // Dir. Pete Riski
Miss Bongo - Brand design
Excerpt from brand guidelines I created for Crowd Media's "Miss Bongo" avatar. Colors designed to offer maximum contrast and a playful tone. I made this during my internship in the design team at Crowd Media Amsterdam in 2019.
Oomi - Logo animation
Logo animation variants for the Oomi electricity company. Made in After Effects, according to tight constraints, including screen time and adherence to brand colors.
KN - Logo design
Custom logo I designed for a sports massage therapist entrepreneur. The customer really likes lions and happens to be a firefighter as well. I combined those elements into something that he was very pleased with.
Animation & Concept
Selected works
Veikkaus – Concept art
I made a rather quick 'n' dirty photobash from stock photos, enhanced with a bit of digital painting, to help the director illustrate the feel of the film before going into production. Even in the age of AI, a concept piece was commissioned from a human. Kudos to Miika Vaso!
Kiitos Elämä – Hand-drawn animation
I designed a nefarious trio of hyenas for a live-action series. I animated them frame by frame using TvPaint Animation. It was a fun challenge to find a good pastiche/parody -balance, since they are a not-so-subtle nod to The Lion King. Series // 2023 // Dir. Malin Nyqvist & Milla Pelkonen
City of Helsinki – 2D vector animation
I made a storyboard based on a loose script. I then animated, edited, did sound design, supervised narration recording and delivered the finished 2-minute animation to the client. After a couple rounds of feedback, of course. Infotainment video // Helsinki Multilingual library // 2021 // Dir. yours truly
Shooting Stars – Hand-drawn animation
A student film where I was animator and filmmaking generalist, as we all were. A great learning experience about the challenge of seeing a project all the way to the end, with a good-looking result.
About
I’m a motion designer and finishing artist with 10 years of experience across film, TV and commercial post-production, with specialist expertise in HDR workflows.My work spans high-pressure environments where quality, timing, and technical reliability are essential — from graphic design and animation to online editing, mastering, and final delivery for international distributors including Netflix and Disney.What sets me apart is my ability to bridge creative intent and technical execution. I understand cinematic storytelling, rhythm, and composition, but I’m equally comfortable ensuring assets are clean, spec-compliant, and ready for real-world pipelines.Currently based in Helsinki, Finland.
Contact
I am open to work.Interested in roles within in-house teams, game studios, or media-focused companies. What I love to do is design beautiful images and make sure they're finished with utmost quality.
